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The other advantage with me doing the project (apart from being a huge fan of Levay' and Harpaz' work) is that being a graphic designer by profession I did all the artwork myself and am probably the only person in the world who owns high-resolution vector artwork of both the Airwolf logotype and Wolf Insignia as well as a full [Apple Mac only] Postscript font of the "proper" Airwolf typeface (unlike the inferior PC rip-offs available for free on the Internet) -- again all recreated to fanatical perfection. I even know Universal Studios don't hold Airwolf logo artwork -- within the digital domain -- as good as this.
I've also been in contact with AIRWOLF's original graphic designer, Andrew Probert during 1998 to, as his pioneering graphics and design work on the show actually influenced my career choice from the very beginning. It's great how AIRWOLF (the show) has been a catalyst for so many other things in my life (and others)... although I don't actually get time to watch the show much any more.
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